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Christmas Attic, The

Christmas Attic, The
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  • Buy New: $4.50
  • as of 5/28/2017 14:32 EDT details
In Stock
  • Seller:CDWarehouseOnline
  • Sales Rank:12,431
  • Format:CD
  • Languages:English (Published), English (Unknown)
  • Media:Audio CD
  • Number Of Discs:1
  • Rating:NR (Not Rated)
  • Discs:1
  • Shipping Weight (lbs):0.3
  • Dimensions (in):5.6 x 0.4 x 5
  • Publication Date:2002
  • MPN:83145-2
  • Model:2015039
  • UPC:075678314520
  • EAN:0075678314520
  • ASIN:B00000AEDW
Availability:Usually ships in 1-2 business days

  • The Christmas Attic by Trans-Siberian Orchestra (2002-10-20)

  • The Ghosts Of Christmas Eve
  • Boughs Of Holly [Instrumental]
  • The World That She Sees
  • The World That He Sees
  • Midnight Christmas Eve
  • The March Of the Kings/Hark The Herald Angel [Instrumental]
  • The Three Kings And I [What Really Happened]
  • Christmas Canon
  • Joy Of Man's Desire/Angels We Have Heard On High
  • Find Our Way Home
  • Appalachian Snowfall [Instrumental]
  • The Music Box
  • The Snow Came Down
  • Christmas In The Air
  • Dream Child [A Christmas Dream]
  • An Angel's Share
  • Music Box Blues

Editorial Reviews:
After three seasons of radio and sales success with Christmas Eve/Sarajevo 12/24, the Trans-Siberian Orchestra presents the second installment of a planned trilogy. The Christmas Attic is told through a blend of symphonic and rock music.
No Track Information Available
Media Type: CD
Street Release Date: 10/13/1998
Fans of Andrew Lloyd Webber will discover he has a soul mate in one Paul O'Neill, the "conductor" of the Trans-Siberian Orchestra. A dyed-in-the-wool sentimentalist, O'Neill presents this pop-rock tale from 1998 with all the glitz and glory of a Lloyd Webber Broadway show. Playing to the common themes of the season through a tale about a little angel sent to Earth to leave behind a gift, O'Neill creates a big-sounding production heavy on lead guitars and orchestral filigree. There are pieces of familiar Christmas carols and hymns and a handful of unembellished acoustic numbers to offset the brighter parts of the musical melodrama. While his singers and players are all professional sounding, O'Neill often mistakes sentiment as a grand gesture when it needs to be something less ambitious or noticeable. Nonetheless, there's a TV special or Broadway show wrapped up in this attic and it won't go away until it gets done. --Martin Keller

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